Upcoming talks and travel

I’m concentrating on finishing my PhD, so I’m not saying yes to much at the moment. In the meantime, my edited volume on ‘Crowdsourcing our Cultural Heritage’ for Ashgate, featuring chapters from some of the most amazing people working in the field has just been published in October 2014. (I know I’m biased, but seriously.) For a limited time, you can read my introduction on Ashgate’s website: Crowdsourcing Our Cultural Heritage: Introduction.

From September – December 2014 I’m based at Trinity College Dublin for a CENDARI Visiting Research Fellowship. If you might be in Dublin over that time, let me know! The dates I’m not in Dublin are: October 18-25, November 6-9, November 15-28.

In October I’m giving a paper at the Public History in a Digital World: The Revolution Reconsidered conference in Amsterdam and running a workshop at the Geffrye Museum. In November I’m keynoting at New Zealand’s National Digital Forum (talking about the Participatory Commons). I’ll also be in London for the Museums Computer Group’s UKMW14: Museums Beyond the Web. I’ve got some workshops and travel for talks already booked in for March and May 2015, but I’ll also be available for freelance or permanent work sometime in mid-2015.

Some recent papers

I’ve stopped updating this while I finish my thesis, but…

In August 2014 I taught ‘Crowdsourcing Cultural Heritage’ with Ben Brumfield at HILT (Humanities Intensive Learning + Teaching) at MITH in Maryland. In July I presented “Lightweight usability testing for digital humanities projects (AKA, ‘testing doesn’t have to be taxing’)” in the Introduction to Digital Humanities strand of the Digital Humanities at Oxford Summer School 2014 then I went to Lausanne to present ‘Play as Process and Product: On Making Serendip-o-matic’ at Digital Humanities 2014 with fellow alumni of 2013’s One Week One Tool. In April 2014 I was a keynote speaker at the 3rd international Sharing is Caring seminar, in May I was in Bristol for the Museums Computer Group’s Museums Get Mobile and in Boston for THATCamp NE.

Here’s a summary of talks, fellowships, writing, etc in 2013, 2012 and 2011. You can also follow me on twitter (@mia_out) for updates.

Previous papers are generally listed at miaridge.com or on my blog, Open Objects.

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Conference paper: Where is the revolution in citizen history? The place of crowdsourcing in public history

I gave a paper asking ‘Where is the revolution in citizen history? The place of crowdsourcing in public history’ at the IFPH-FIHP International Conference ‘Public History in a Digital World: The Revolution Reconsidered’, in Amsterdam 23-25 October 2014 #IFPH2014.

My paper was based on my PhD research so I won’t share my notes until after I’ve submitted my thesis, but here’s my proposal:

When the term ‘citizen history’ was used in a 2011 blog post about the United States Holocaust Memorial Museum’s Children of the Lodz Ghetto project, which asked members of the public to investigate specific tightly defined research questions,[1] it seemed to herald a new participatory movement in public history. Citizen history is the use of digital platforms to distribute, coordinate and validate contributions by members of the public to historic research projects. The complexity of the task and the level of public involvement ranges from simple contributions through crowdsourced observation, transcription or categorisation tasks to independent research on set questions, or even co-defining the research question in co-created projects.[2] Through this active engagement with historical material, some crowdsourcing contributors become citizen historians as they develop an interest in researching the histories of the individuals, events or places they have encountered during participatory tasks.

But despite the promise of crowdsourcing as a form of active engagement with history, this potential revolution in public history may have stalled. Non-heritage sector organisations like Ancestry and FamilySearch are working with museums, archives and libraries to digitise and transcribe records relevant to family historians, and most of the major citizen history projects are based on software created for scientific crowdsourcing, while public history projects seem to follow traditional broadcast and exhibition-based models.

Based on a critical analysis of existing history crowdsourcing and participatory public history projects, this short paper will ask why public history projects are not actively engaging the public in making history.

[1] Elissa Frankle, “More Crowdsourced Scholarship: Citizen History,” Center for the Future of Museums, July 28, 2011,http://futureofmuseums.blogspot.com/2011/07/more-crowdsourced-scholarship-citizen.html

[2] Bonney, Rick, Heidi Ballard, Rebecca Jordan, Ellen McCallie, Tina Phillips, Jenifer Shirk, and Candie C. Wilderman. Public Participation in Scientific Research: Defining the Field and Assessing Its Potential for Informal Science Education. A CAISE Inquiry Group Report. Washington D.C.: Center for Advancement of Informal Science Education (CAISE), July 2009. http://caise.insci.org/uploads/docs/PPSR%20report%20FINAL.pdf.

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Data Visualisation Workshop, Geffrye Museum

Ananda Rutherford has organised a workshop for the Documenting Homes project, which  is researching visualisation models for presenting the archive and other collections information across digital platforms. The workshop is a chance to explore the role of visualisations in organising, interrogating and interpreting collections in context and to develop critical and planning skills for designing visualisations. It will include guided exercises for turning data in a spreadsheet into simple visualisations and an optional hour for trying out visualisation tools with your own data.

Contact me for the workshop slides and datasets. The exercises are below.

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HILT Summer School: ‘Crowdsourcing Cultural Heritage’

In August 2014 I taught ‘Crowdsourcing Cultural Heritage’ with Ben Brumfield at HILT (Humanities Intensive Learning + Teaching) at MITH in Maryland. Thanks to all the participants for making it such a great workshop!

The Course Syllabus and Slide Decks are available for download: Continue reading

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Conference paper: Play as Process and Product: On Making Serendip-o-matic

The abstract for our Digital Humanities 2014 conference paper is below. Scott’s posted his notes from the first part, my notes for the middle part How did ‘play’ shape the design and experience of creating Serendip-o-matic? are on Open Objects and Brian’s are to follow.

Play as Process and Product: On Making Serendip-o-matic

Amy Papaelias, State University of New York at New Paltz

Brian Croxall, Emory University

Mia Ridge, The Open University

Scott Kleinman, California State University, Northridge

Summary

Who says scholarship can’t be playful? Serendip-o-matic is a “serendipity Feeding the machine animated gifengine” that was created in less than a week by twelve digital humanities scholars, developers, and librarians. Designed to replicate the surprising experience of discovering an unexpected source while browsing library stacks or working in an archive, the visual and algorithmic design of Serendip-o-matic emphasizes playfulness. And since the tool was built by a group of people who were embarking on a difficult task but weren’t yet sure of one another’s names, the process of building Serendip-o-matic was also rather playful, encouraging participants to take risks, make mistakes, and learn something new. In this presentation, we report on how play shaped the creation, design, and marketing of Serendip-o-matic. We conclude by arguing for the benefits of more playful work in academic research and scholarship, as well as considering how such “play” can be evaluated in an academic context.

 

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CENDARI Visiting Research Fellowship: ‘Bridging collections with a participatory Commons: a pilot with World War One archives’

I’ve been awarded a CENDARI Visiting Research Fellowship at Trinity College Dublin for a project called ‘Bridging collections with a participatory Commons: a pilot with World War One archives’. Here’s Trinity’s page about my Fellowship, which runs until mid-December. I’ve decided to be brave and share my thoughts and actions throughout the process, so I thought I’d start as I mean to go on and post my proposal (1500 words, below). CENDARI is a ‘research infrastructure project aimed at integrating digital archives for the medieval and World War One eras’ which ‘aims to leverage innovative technologies to provide historians with the tools by which to contextualise, customise and share their research’ (source) so this research fellowship very neatly complements my PhD research.

You can contact me by leaving a comment below, or via my contact page. If you’d like to follow my progress, you can sign up for (very infrequent) updates at MailChimp: http://eepurl.com/VUXEL or keep an eye out for posts tagged ‘CENDARI Fellowship’ on my blog, Open Objects.

Updates so far:

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Keynote ‘Enriching cultural heritage collections through a Participatory Commons’ at Sharing is Caring

Photo of glider plane against blue sky

Image: Library of Congress

I was invited to Copenhagen to talk about my research on crowdsourcing in cultural heritage at the 3rd international Sharing is Caring seminar on April 1. I’ve posted my notes on Open Objects: Enriching cultural heritage collections through a Participatory Commons platform: a provocation about collaborating with users.

Much of this comes from my PhD research and my previous work in museums, and I’m grateful to everyone who’s commented in person or on twitter so far, particularly as it helps me understand the best ways to explain the Participatory Commons and the research underlying it for different audiences.

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VALA 2014 Keynote: Open Objects: ‘Bringing maker culture to cultural organisations’

In February 2014 I was invited to Melbourne to give a keynote on ‘GLAM making’ at VALA2014 (VALA – Libraries, Technology and the Future). I’ve shared my slides and a storify of tweets from my session at Open Objects: ‘Bringing maker culture to cultural organisations’ at VALA 2014.

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Guest post: ‘Digital myth’ for Museums Association site

I was asked to comment on the recent report, Digital Culture: How arts and cultural organisations in England use technology for the Museums Association website. My post, Digital myth: Museums need to explode the myth they are technologically backward is live on their site now.

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2013: an overview

A seriously incomplete retrospective of what I got up to in 2013… For PhD updates, check my PhD.

Highlights of the second half of 2013 included presenting at Speaking in Code at UVA’s Scholars’ Lab, organising the MCG’s Museums on the Web 2013 conference at Tate Modern with the Museums Computer Group, collaborating on ‘Let’s Get Real’ with Culture24, the publication of two peer-reviewed articles – From Tagging to Theorizing: Deepening Engagement with Cultural Heritage through Crowdsourcing for Curator Journal and Creating Deep Maps and Spatial Narratives through Design with Don Lafreniere and Scott Nesbit for the International Journal of Humanities and Arts Computing, based on our work at the Summer 2012 NEH Advanced Institute on Spatial Narrative and Deep Maps: Explorations in the Spatial Humanities – and last but absolutely not least, creating Serendip-o-matic with 12 other wonderful digital scholars at the Roy Rosenzweig Center for History and New Media’s One Week | One Tool institute.)

In November 2013 I presented at Sustainable History: Ensuring today’s digital history survives and at the Herrenhausen Digital Humanities conference.

In July 2013 I chaired a session on Digital Transformations at the Open Culture 2013 conference in London on July 2, gave an invited lightning talk at the Digital Humanities Oxford Summer School 2013, ran a half-day workshop on Crowdsourcing at the Digital Humanities 2013 conference in Nebraska, and had an amazing time making what turned out to be Serendip-o-matic at One Week, One Tool in Virginia (my posts on the process).

In May 2013 I gave an online seminar on crowdsourcing (with a focus on how it might be used in teaching undergraduates wider skills) for the NITLE Shared Academics series. I gave a short paper on ‘Digital participation and public engagement’ at the London Museums Group‘s ‘Museums and Social Media’ at Tate Britain on May 24, and was in Belfast for the Museums Computer Group’s Spring meeting, ‘Engaging Visitors Through Play‘ on May 30 and then Venice for a quick keynote (with Helen Weinstein) for the We Curate kick-off seminar at the start of June. I also gave another full-day workshop on Crowdsourcing at the British Library.

In April 2013 I gave a paper on my PhD research at Digital Impacts: Crowdsourcing in the Arts and Humanities, and a keynote on ‘A Brief History of Open Cultural Data’ at GLAM-WIKI 2013 and did another workshop on ‘Data Visualisation for Analysis in Scholarly Research‘ for the British Library’s Digital Scholarship Training Programme.

In March 2013 I was in the US for THATCamp Feminisms to do a workshop on Data visualisation as a gateway to programming and gave a paper on ‘New Challenges in Digital History: Sharing Women’s History on Wikipedia‘ at ‘Women’s History in the Digital World‘ at Bryn Mawr. My talk notes are posted on my blog as ‘New challenges in digital history: sharing women’s history on Wikipedia – my draft talk notes’.

In February 2013 I gave a keynote on ‘Crowd-sourcing as participation’ at iSay: Visitor-Generated Content in Heritage Institutions in Leicester and ran a workshop on ‘Data visualisation for humanities researchers’ with Dr. Elton Barker for the CHASE ‘Going Digital‘ doctoral training programme.

In January 2013 I taught all-day workshops on ‘Data Visualisation for Analysis in Scholarly Research’ and ‘Crowdsourcing in Libraries, Museums and Cultural Heritage Institutions’ for the British Library’s Digital Scholarship Training Programme.

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‘Creating a Digital History Commons through crowdsourcing and participant digitisation’ at Herrenhausen DH Conference

I was awarded a travel grant to attend the Herrenhausen Conference: “(Digital) Humanities Revisited – Challenges and Opportunities in the Digital Age” in Hannover, Germany, over December 5-7, 2013. I’d like to thank the Volkswagen Foundation (VolkswagenStiftung) for funding travel for 37 early career scholars and for the opportunity to present there.

My lightning talk notes, further information and references for ‘Peer production models for academic and amateur historians: challenges and opportunities’ are below. Obviously the full reference list for my PhD would be huge so below I’ve selected items that relate specifically to my poster and talk. PDF of my poster on ‘Creating a Digital History Commons through crowdsourcing and participant digitisation’.
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