My chapter is ‘The contributions of family and local historians to British history online‘. My abstract:
Community history projects across Britain have collected and created images, indexes and transcriptions of historical documents ranging from newspaper articles and photographs, to wills and biographical records. Based on analysis of community- and institutionally-led participatory history sites, and interviews with family and local historians, this chapter discusses common models for projects in which community historians cooperated to create digital resources. For decades, family and local historians have organised or contributed to projects to collect, digitise and publish historical sources about British history. What drives amateur historians to voluntarily spend their time digitising cultural heritage? How do they cooperatively or collaboratively create resources? And what challenges do they face?
Mia Ridge is a Digital Curator in the British Library’s Digital Scholarship team. She has a PhD in digital humanities (2015, Department of History, Open University) entitled Making Digital History: the impact of digitality on public participation and scholarly practices in historical research. Previously, she conducted human-computer interaction-based research on crowdsourcing in cultural heritage.
My thanks to the organisers for their excellent hospitality, and to the attendees for their thoughtful and probing questions!
My abstract: Why and how are museums, libraries, archives and academic projects creating crowdsourcing projects to help digitize collections or enhance their knowledge about them? Based on a review of hundreds of heritage crowdsourcing projects, this talk will highlight examples of successful projects, discuss why members of the public volunteer their time, and consider the different outcomes possible.
As part of my trip to Texas for SXSW, I was invited to give a workshop on ‘Crowdsourcing and Cultural Heritage’ in the Fondren Library at Rice University’s Humanities Research CenterSawyer Seminar series on March 7, 2016. My slides are below. My visit was a great chance to find out more about the teaching and projects at the Research Center, and my thanks go to the organisers for their excellent hospitality.
Abstract: This workshop will provide an overview of crowdsourcing in cultural heritage and consider the ethics and motivations for participation. International case studies will be discussed to provide real life illustrations of design tips and to inspire creative thinking.
Christy Henshaw, who commissioned the report, has kindly made it available online for reference by other organisations. Her blurb is below:
The Wellcome Library, in considering a project to digitise and transcribe recipe manuscripts using crowdsourcing technologies, commissioned this report from Ben Brumfield and Mia Ridge in Summer 2015. The report addresses issues specific to this project, and to the Wellcome Library’s digital infrastructure.
I was invited to give a keynote on ‘Crowdsourcing our cultural heritage’ at Nordiske Arkivdage 2015 (#NordiskArkiv), a triennial gathering of archivists from Finland, Iceland, Norway, Sweden, Denmark, the Faroe Islands, Greenland and Åland in Copenhagen on May 8, 2015. I greatly enjoyed hearing about various crowdsourcing projects that state and city archives in those countries have worked on over the years (and would still love to hear more). My slides are below.
From my introduction:
Today I want to talk about why crowdsourcing creates opportunities for productive, meaningful public engagement with cultural heritage. This isn’t a sales pitch – crowdsourcing is not a ‘magic bullet’ – but I think an investment in crowdsourcing can be repaid with impressive results in the amount of material processed, and in new relationships with our shared cultural heritage in museums, libraries, universities, community groups and archives.
So in the next twenty minutes I will briefly explain what crowdsourcing in cultural heritage is, give you a glimpse of some projects where crowdsourcing has been incredibly productive, and discuss how it can help make collections more accessible while engaging people more deeply in thinking about those collections…
Crowdsourcing in cultural heritage asks the public to help with tasks that contribute to a shared, significant goal or research interest related to cultural heritage collections or knowledge. As a voluntary activity, the tasks and/or goals should be inherently rewarding.
Abstract: The centenary of World War One and the digitisation of records from a range of museums, libraries and archives has inspired many members of the public to research the lives of WWI soldiers. But it is not always easy to find or interpret military records. What was it like to be in a particular battalion or regiment at a particular time. Can a ‘collaborative collection’ help provide context for individual soldiers’ experience of the war by linking personal diaries, letters and memoirs to places, people and events? What kinds of digital infrastructure are needed to support research on soldiers in the Great War? This lecture explores the potential for collaborating with members of the general public and academic or amateur historians to transcribe and link disparate online collections of World War One material. What are the challenges and opportunities for participatory digital history?
Thursday, 04 December 2014 | 13:00 | Trinity Long Room Hub
A lecture by Visiting Research Fellow at the Trinity Long Room Hub, Mia Ridge (The Open University). Mia is a Transnational Access fellow, funded by the CENDARI project (Collaborative European Digital Archive Infrastructure).