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	<title>mia ridge</title>
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		<title>NITLE &#8216;Crowdsourcing&#8217; seminar</title>
		<link>http://www.miaridge.com/nitle-crowdsourcing-seminar/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=nitle-crowdsourcing-seminar</link>
		<comments>http://www.miaridge.com/nitle-crowdsourcing-seminar/#comments</comments>
		<pubDate>Fri, 03 May 2013 14:00:54 +0000</pubDate>
		<dc:creator>mia</dc:creator>
				<category><![CDATA[crowdsourcing]]></category>
		<category><![CDATA[seminar]]></category>
		<category><![CDATA[online]]></category>

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		<description><![CDATA[Discussion Guide for NITLE Crowdsourcing seminar Wednesday, May 8, 2013, 1-2 pm EDT, online via NITLE’s desktop videoconferencing platform Slides (8mb PDF). Discussion Questions Have you ever participated in a crowdsourced project? What did you enjoy about it? Were you &#8230; <a href="http://www.miaridge.com/nitle-crowdsourcing-seminar/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<h2>Discussion Guide for <a href="http://www.nitle.org/live/events/176-crowdsourcing">NITLE Crowdsourcing seminar</a></h2>
<p>Wednesday, May 8, 2013, 1-2 pm EDT, online via NITLE’s desktop videoconferencing platform</p>
<p><a href="http://www.miaridge.com/wp-content/uploads/NITLE_Crowdsourcing_slides.pdf">Slides (8mb PDF)</a>.</p>
<h3>Discussion Questions</h3>
<ol>
<li>Have you ever participated in a crowdsourced project? What did you enjoy about it? Were you motivated to continue? Why/why not?</li>
<li>How well do the tasks presented in the seminar and represented in the &#8216;Suggested Projects&#8217; below match your students&#8217; interests, knowledge and skills? Can you find projects that are a closer match?</li>
<li>What else is required for undergraduate participation in crowdsourced projects to help meet liberal education learning outcomes?</li>
<li>If crowdsourced projects are designed to meet intrinsic or altruistic motivations for voluntary participation, what are the ethical and practical implications of asking students to participate?</li>
<li>What are some of the challenges of collaboration, credit and attribution in scholarly crowdsourcing, and how might you start to resolve them in your work with students?</li>
</ol>
<h3>Suggested Projects</h3>
<ul>
<li>Depending on your interests, visit one or more of the following:
<ul>
<li>OCR error correction for users of the National Library of Australia&#8217;s online newspaper collection, <em>Trove</em>: <a href="http://trove.nla.gov.au/">http://trove.nla.gov.au/</a></li>
<li>Citizen science project <em>GalaxyZoo</em> <a href="http://www.galaxyzoo.org/">http://www.galaxyzoo.org/</a> and <em>ZooTeach</em> &#8216;Where educators can share high quality lesson plans &amp; resources that compliment the <a href="http://www.zooniverse.org">Zooniverse</a> citizen science projects&#8217; <a href="http://www.zooteach.org/age/16%20to%2019+">http://www.zooteach.org/age/16%20to%2019+</a></li>
<li>Many other citizen projects are available on the <em>Zooniverse</em> site <a href="https://www.zooniverse.org/">https://www.zooniverse.org/</a> or citizen science portals like <a href="http://scistarter.com/index.html">http://scistarter.com/.</a></li>
<li>Art tagging and identification project <em>Your Paintings Tagger</em> <a href="http://tagger.thepcf.org.uk/">http://tagger.thepcf.org.uk/</a></li>
<li>Brooklyn Museum&#8217;s <em>Tag! You&#8217;re It</em> art tagging game <a href="http://www.brooklynmuseum.org/opencollection/tag_game/start.php">http://www.brooklynmuseum.org/opencollection/tag_game/start.php</a></li>
</ul>
</li>
<li>Review and compare projects for transcribing historic records: <em>OldWeather</em> <a href="http://www.oldweather.org/">http://www.oldweather.org/</a> and <em>What&#8217;s on the Menu</em> <a href="http://menus.nypl.org/">http://menus.nypl.org/.</a> What differences did you notice, and what impact do they have on you as a potential transcriber?</li>
<li>Try transcribing some records on <em>Herbaria@home</em> <a href="http://herbariaunited.org/atHome/">http://herbariaunited.org/atHome/</a> and <em>Notes from Nature</em> <a href="http://www.notesfromnature.org/">http://www.notesfromnature.org/</a>. How easy was it to get started and complete a record in each project? Based on your experience, which types of users are the projects designed for?</li>
</ul>
<h3>Suggested Reading</h3>
<ul>
<li>Howe, Jeff. “The Rise of Crowdsourcing.” <em>Wired Magazine</em>, June 2006. <a href="http://www.wired.com/wired/archive/14.06/crowds_pr.html">http://www.wired.com/wired/archive/14.06/crowds_pr.html</a>.</li>
<li>Mia Ridge. “Frequently Asked Questions About Crowdsourcing in Cultural Heritage.” Open Objects, June 3, 2012. <a href="http://openobjects.blogspot.com/2012/06/frequently-asked-questions-about.html">http://openobjects.blogspot.com/2012/06/frequently-asked-questions-about.html</a>.</li>
<li>Rebecca Frost Davis. “Crowdsourcing, Undergraduates, and Digital Humanities Projects.” Rebecca Frost Davis: Liberal Education in a Networked World, September 3, 2012. <a href="http://rebeccafrostdavis.wordpress.com/2012/09/03/crowdsourcing-undergraduates-and-digital-humanities-projects/">http://rebeccafrostdavis.wordpress.com/2012/09/03/crowdsourcing-undergraduates-and-digital-humanities-projects/</a>.</li>
<li>Cohen, Patricia. “For Bentham and Others, Scholars Enlist Public to Transcribe Papers.” <em>The New York Times</em>, December 27, 2010, sec. Books. <a href="http://www.nytimes.com/2010/12/28/books/28transcribe.html?ref=humanities20">http://www.nytimes.com/2010/12/28/books/28transcribe.html?ref=humanities20</a>.</li>
</ul>
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		<item>
		<title>Keynote: &#8216;A Brief History of Open Cultural Data&#8217;</title>
		<link>http://www.miaridge.com/keynote-a-brief-history-of-open-cultural-data/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=keynote-a-brief-history-of-open-cultural-data</link>
		<comments>http://www.miaridge.com/keynote-a-brief-history-of-open-cultural-data/#comments</comments>
		<pubDate>Sat, 13 Apr 2013 09:00:46 +0000</pubDate>
		<dc:creator>mia</dc:creator>
				<category><![CDATA[conference]]></category>
		<category><![CDATA[open cultural data]]></category>
		<category><![CDATA[paper]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[United Kingdom]]></category>

		<guid isPermaLink="false">http://www.miaridge.com/?p=715</guid>
		<description><![CDATA[I was invited to give a talk (which seemed to turn into a plenary then a keynote along the way) for the GLAM-Wiki 2013 conference. I thought it might be useful to put current discussions around opening cultural data for &#8230; <a href="http://www.miaridge.com/keynote-a-brief-history-of-open-cultural-data/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>I was invited to give a talk (which seemed to turn into a plenary then a keynote along the way) for the <a href="http://uk.wikimedia.org/wiki/GLAM-WIKI_2013">GLAM-Wiki 2013 conference.</a> I thought it might be useful to put current discussions around opening cultural data for use on Wikipedia and other projects that require content to be licensed for re-use in context (for the museum, library and archive professionals in the audience) and some of the contradictory instructions issued to institutions with cultural, scientific or historical content (for the Wikipedians in the audience, though of course there was a huge overlap between those groups).</p>
<p>I&#8217;ve blogged my talk notes as &#8216;<a href="http://openobjects.blogspot.co.uk/2013/04/an-even-briefer-history-of-open.html">An (even briefer) history of open cultural data</a>&#8216; at GLAM-Wiki 2013 at Open Objects or there&#8217;s a <a href="https://www.youtube.com/watch?v=xOR-9qpg6yE">video</a> of my talk.</p>
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		</item>
		<item>
		<title>Paper: &#8216;A thousand readers are wanted, and confidently asked for&#8217;: public participation as engagement in the arts and humanities</title>
		<link>http://www.miaridge.com/paper-a-thousand-readers-are-wanted-and-confidently-asked-for-public-participation-as-engagement-in-the-arts-and-humanities/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=paper-a-thousand-readers-are-wanted-and-confidently-asked-for-public-participation-as-engagement-in-the-arts-and-humanities</link>
		<comments>http://www.miaridge.com/paper-a-thousand-readers-are-wanted-and-confidently-asked-for-public-participation-as-engagement-in-the-arts-and-humanities/#comments</comments>
		<pubDate>Tue, 09 Apr 2013 13:00:56 +0000</pubDate>
		<dc:creator>mia</dc:creator>
				<category><![CDATA[conference]]></category>
		<category><![CDATA[crowdsourcing]]></category>
		<category><![CDATA[paper]]></category>
		<category><![CDATA[Oxford]]></category>
		<category><![CDATA[United Kingdom]]></category>

		<guid isPermaLink="false">http://www.miaridge.com/?p=658</guid>
		<description><![CDATA[I was invited to give a paper on my research at Digital Impacts: Crowdsourcing in the Arts and Humanities, convened by Kathryn Eccles and the Oxford Internet Institute. I&#8217;ve also posted Notes from &#8216;Crowdsourcing in the Arts and Humanities&#8217; on &#8230; <a href="http://www.miaridge.com/paper-a-thousand-readers-are-wanted-and-confidently-asked-for-public-participation-as-engagement-in-the-arts-and-humanities/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>I was invited to give a paper on my research at <a href="http://www.oii.ox.ac.uk/events/?id=573">Digital Impacts: Crowdsourcing in the Arts and Humanities</a>, convened by <a href="http://www.oii.ox.ac.uk/people/?id=138">Kathryn Eccles</a> and the <a href="http://www.oii.ox.ac.uk/">Oxford Internet Institute</a>.</p>
<p>I&#8217;ve also posted <a href="http://openobjects.blogspot.co.uk/2013/04/crowdsourcing-in-arts-and-humanities.html">Notes from &#8216;Crowdsourcing in the Arts and Humanities&#8217;</a> on Open Objects.</p>
<p>(My title comes from the <a href="http://public.oed.com/history-of-the-oed/dictionary-milestones/">Oxford English Dictionary&#8217;s 1879 call for contributors</a> to help them get through their backlog of words that needed sources and definitions. Yes, I do spend a bit too much time thinking about Victorian precursors to modern crowdsourcing.)</p>
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		<title>Workshop: Data visualisation as a gateway to programming</title>
		<link>http://www.miaridge.com/workshop-data-visualisation-as-a-gateway-to-programming/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=workshop-data-visualisation-as-a-gateway-to-programming</link>
		<comments>http://www.miaridge.com/workshop-data-visualisation-as-a-gateway-to-programming/#comments</comments>
		<pubDate>Sat, 16 Mar 2013 09:30:37 +0000</pubDate>
		<dc:creator>mia</dc:creator>
				<category><![CDATA[class]]></category>
		<category><![CDATA[digital humanities]]></category>
		<category><![CDATA[workshop]]></category>
		<category><![CDATA[Claremont]]></category>
		<category><![CDATA[United States of America]]></category>

		<guid isPermaLink="false">http://www.miaridge.com/?p=642</guid>
		<description><![CDATA[I was invited to run a workshop at THATCamp Feminisms West at Scripps College in Claremont, California, and thought &#8216;Data visualisations as gateway to programming&#8217; would be a good way to provide a gentle introduction to &#8216;computational thinking&#8217; by working &#8230; <a href="http://www.miaridge.com/workshop-data-visualisation-as-a-gateway-to-programming/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>I was invited to run a workshop at <a href="http://feminismswest2013.thatcamp.org/">THATCamp Feminisms West</a> at Scripps College in Claremont, California, and thought &#8216;Data visualisations as gateway to programming&#8217; would be a good way to provide a gentle introduction to &#8216;computational thinking&#8217; by working through the effects different data structures have on potential visualisations in ManyEyes, the online visualisation tool. I also prepared some material on basic concepts in programming and put together a page of <a href="http://modernbluestockings.org.uk/Simile/Simileexample.html">&#8216;Inspiring women through history&#8217; mapped across time and space</a> that contained heavily commented code that suggested various things to try to get a sense of how code (in this case, JavaScript, HTML, CSS) works. My slides are below, you can play with <a href="http://www-958.ibm.com/software/analytics/manyeyes/datasets/inspiring-women-through-history/versions/1">content prepared for ManyEyes</a>, or &#8216;view source&#8217; at the &#8216;inspiring women&#8217; link above, save the file to your hard drive and have a play.</p>
<p><iframe src="http://www.slideshare.net/slideshow/embed_code/17723801" height="356" width="427" allowfullscreen="" frameborder="0" marginwidth="0" marginheight="0" scrolling="no"></iframe></p>
<div style="margin-bottom: 5px;"><strong> <a title="Data visualisations as a gateway to programming" href="http://www.slideshare.net/miaridge/data-visualisations-as-a-gateway-to-programming" target="_blank">Data visualisations as a gateway to programming</a> </strong> from <strong><a href="http://www.slideshare.net/miaridge" target="_blank">Mia </a></strong></div>
<p>&nbsp;</p>
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		<title>Conference paper: New Challenges in Digital History: Sharing Women&#8217;s History on Wikipedia</title>
		<link>http://www.miaridge.com/conference-paper-new-challenges-in-digital-history-sharing-womens-history-on-wikipedia/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=conference-paper-new-challenges-in-digital-history-sharing-womens-history-on-wikipedia</link>
		<comments>http://www.miaridge.com/conference-paper-new-challenges-in-digital-history-sharing-womens-history-on-wikipedia/#comments</comments>
		<pubDate>Mon, 11 Mar 2013 13:06:33 +0000</pubDate>
		<dc:creator>mia</dc:creator>
				<category><![CDATA[conference]]></category>
		<category><![CDATA[digital humanities]]></category>
		<category><![CDATA[presentation]]></category>
		<category><![CDATA[Bryn Mawr]]></category>
		<category><![CDATA[Philadelphia]]></category>
		<category><![CDATA[United States of America]]></category>

		<guid isPermaLink="false">http://www.miaridge.com/?p=637</guid>
		<description><![CDATA[I&#8217;ll be presenting &#8216;New Challenges in Digital History: Sharing Women&#8217;s History on Wikipedia&#8217; in the &#8216;Developments in Digital Women&#8217;s History&#8217; strand of the Women’s History in the Digital World conference at The Albert M. Greenfield Digital Center for the History &#8230; <a href="http://www.miaridge.com/conference-paper-new-challenges-in-digital-history-sharing-womens-history-on-wikipedia/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<div id="panel">
<h4>I&#8217;ll be presenting &#8216;New Challenges in Digital History: Sharing Women&#8217;s History on Wikipedia&#8217; in the &#8216;Developments in Digital Women&#8217;s History&#8217; strand of the Women’s History in the Digital World conference at <a href="http://greenfield.brynmawr.edu">The Albert M. Greenfield Digital Center for the History of Women&#8217;s Education</a> at Bryn Mawr on March 23, 2013.</h4>
</div>
<div id="abstract">
<h4>Abstract:</h4>
<blockquote><p>In 1908 Ina von Grumbkow undertook an expedition to Iceland. She later made significant contributions to the field of natural history and wrote several books but other than passing references online and a mention on her husband&#8217;s Wikipedia page, her story is only available to those with access to sources like the &#8216;Earth Sciences History&#8217; journal.</p>
<p>Cumulative centuries of archival and theoretical work have been spent recovering women&#8217;s histories, yet much of this inspiring scholarship is invisible outside academia. Inspired by research into the use and creation of digital resources and the wider impact of these resources on historians and their scholarship, this paper is a deliberate provocation: if we believe the subjects of our research are important, then we should ensure they are represented on freely available encyclopaedic sites like Wikipedia.</p>
<p>Wikipedia is the fifth most visited website in the world and the first port of call for most students and the public, yet women&#8217;s history is poorly represented. This paper discusses how the difficulties of adding women&#8217;s histories to Wikipedia exemplify some of the new challenges and opportunities of digital history and the ways in which it blurs the line between public history and purely academic research.</p></blockquote>
</div>
<p>Update: I&#8217;ve posted my talk notes at <a href="http://openobjects.blogspot.co.uk/2013/03/new-challenges-in-digital-history.html">New challenges in digital history: sharing women&#8217;s history on Wikipedia &#8211; my draft talk notes</a>.</p>
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		<title>Paper: Where next for open cultural data in museums?</title>
		<link>http://www.miaridge.com/paper-where-next-for-open-cultural-data-in-museums/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=paper-where-next-for-open-cultural-data-in-museums</link>
		<comments>http://www.miaridge.com/paper-where-next-for-open-cultural-data-in-museums/#comments</comments>
		<pubDate>Sat, 02 Mar 2013 15:26:41 +0000</pubDate>
		<dc:creator>mia</dc:creator>
				<category><![CDATA[museums]]></category>
		<category><![CDATA[open cultural data]]></category>
		<category><![CDATA[publication]]></category>
		<category><![CDATA[online]]></category>

		<guid isPermaLink="false">http://www.miaridge.com/?p=647</guid>
		<description><![CDATA[My latest article for Museum Identity magazine, Where next for open cultural data in museums?, is now live online and in the current print issue of Museum-iD 13. Site abstract: &#8220;Museums have increasingly been joining the global movement for open &#8230; <a href="http://www.miaridge.com/paper-where-next-for-open-cultural-data-in-museums/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>My latest article for Museum Identity magazine, <a href="http://www.museum-id.com/idea-detail.asp?id=387">Where next for open cultural data in museums?</a>, is now live online and in the current print issue of <a href="http://www.museum-id.com/magazine-detail.asp?id=385">Museum-iD 13.</a></p>
<p>Site abstract: &#8220;Museums have increasingly been joining the global movement for open data by opening up their databases, sharing their images and releasing their knowledge. Mia Ridge presents a brief history of open cultural data projects, explores some reasons why some data is relatively under-used and looks to the future of open cultural data&#8221;.</p>
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		<title>Keynote: &#8216;The gift that gives twice: crowdsourcing as productive engagement with cultural heritage&#8217;</title>
		<link>http://www.miaridge.com/keynote-the-gift-that-gives-twice-crowdsourcing-as-productive-engagement-with-cultural-heritage/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=keynote-the-gift-that-gives-twice-crowdsourcing-as-productive-engagement-with-cultural-heritage</link>
		<comments>http://www.miaridge.com/keynote-the-gift-that-gives-twice-crowdsourcing-as-productive-engagement-with-cultural-heritage/#comments</comments>
		<pubDate>Fri, 01 Feb 2013 09:30:18 +0000</pubDate>
		<dc:creator>mia</dc:creator>
				<category><![CDATA[conference]]></category>
		<category><![CDATA[crowdsourcing]]></category>
		<category><![CDATA[museums]]></category>
		<category><![CDATA[presentation]]></category>
		<category><![CDATA[Leicester]]></category>
		<category><![CDATA[United Kingdom]]></category>

		<guid isPermaLink="false">http://www.miaridge.com/?p=627</guid>
		<description><![CDATA[I was invited to give a keynote at &#8216;The Shape of Things: New and emerging technology-enabled models of participation through VGC&#8216; at the School of Museum Studies, University of Leicester.  This was the first event for the AHRC-funded iSay: Visitor-Generated Content &#8230; <a href="http://www.miaridge.com/keynote-the-gift-that-gives-twice-crowdsourcing-as-productive-engagement-with-cultural-heritage/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>I was invited to give a keynote at &#8216;<a href="http://isayevents.wordpress.com/shapeofthings/program/">The Shape of Things: New and emerging technology-enabled models of participation through VGC</a>&#8216; at the School of Museum Studies, University of Leicester.  This was the first event for the AHRC-funded <a title="iSay: Visitor-Generated Content in Heritage Institutions" href="http://isayevents.wordpress.com/" rel="home">iSay: Visitor-Generated Content in Heritage Institutions </a>project.</p>
<p>My slides are below and I&#8217;ve blogged <a href="http://openobjects.blogspot.co.uk/2013/02/notes-from-shape-of-things-new-and.html">Notes from &#8216;The Shape of Things: New and emerging technology-enabled models of participation through VGC&#8217;.</a> I&#8217;ve also saved an archive of <a href="http://www.miaridge.com/wp-content/uploads/2013/02/isayevent_tweets_2013_02_01.csv">isayevent_tweets_2013_02_01 (CSV).</a></p>
<p><iframe style="border: 1px solid #CCC; border-width: 1px 1px 0; margin-bottom: 5px;" src="http://www.slideshare.net/slideshow/embed_code/16514672" height="356" width="427" allowfullscreen="" frameborder="0" marginwidth="0" marginheight="0" scrolling="no"></iframe></p>
<div style="margin-bottom: 5px;"><strong> <a title="Crowdsourcing as productive engagement with cultural heritage" href="http://www.slideshare.net/miaridge/crowdsourcing-as-productive-engagement-with-cultural-heritage-forsharing" target="_blank">Crowdsourcing as productive engagement with cultural heritage</a> </strong> from <strong><a href="http://www.slideshare.net/miaridge" target="_blank">Mia </a></strong></div>
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		<title>Resources for ‘Crowdsourcing in Libraries, Museums and Cultural Heritage Institutions’</title>
		<link>http://www.miaridge.com/resources-for-crowdsourcing-in-libraries-museums-and-cultural-heritage-institutions/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=resources-for-crowdsourcing-in-libraries-museums-and-cultural-heritage-institutions</link>
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		<pubDate>Tue, 22 Jan 2013 19:40:57 +0000</pubDate>
		<dc:creator>mia</dc:creator>
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		<description><![CDATA[A collection of links for further reading for the British Library&#8217;s Digital Scholarship course on &#8216;Crowdsourcing in Libraries, Museums and Cultural Heritage Institutions&#8217;. Crowdsourcing projects discussed Games with a purpose ReCAPTCHA Trove Old Weather What&#8217;s on the menu FamilySearch DigitalKoot &#8230; <a href="http://www.miaridge.com/resources-for-crowdsourcing-in-libraries-museums-and-cultural-heritage-institutions/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>A collection of links for further reading for the British Library&#8217;s Digital Scholarship course on &#8216;Crowdsourcing in Libraries, Museums and Cultural Heritage Institutions&#8217;.</p>
<h2>Crowdsourcing projects discussed</h2>
<ul>
<li><a href="http://www.gwap.com">Games with a purpose</a></li>
<li><a href="http://www.google.com/recaptcha">ReCAPTCHA</a></li>
<li><a href="http://trove.nla.gov.au/">Trove</a></li>
<li><a href="http://www.oldweather.org/">Old Weather</a></li>
<li><a href="http://menus.nypl.org/">What&#8217;s on the menu</a></li>
<li><a href="http://familysearch.org/">FamilySearch</a></li>
<li><a href="http://www.digitalkoot.fi">DigitalKoot</a></li>
<li><a href="http://blogs.ucl.ac.uk/transcribe-bentham/">Transcribe Bentham</a></li>
</ul>
<h2>Useful blogs</h2>
<ul>
<li><a href="http://www.wired.com/wired/archive/14.06/crowds_pr.html">Collaborative Manuscript Transcription blog</a></li>
<li><a href="http://trevorowens.org/">Trevor Owens</a></li>
<li><a href="http://rose-holley.blogspot.co.uk/">Rose Holley&#8217;s blog</a></li>
</ul>
<h2>References</h2>
<ul>
<li>Alam, Sultana Lubna, and John Campbell. 2012. “Crowdsourcing Motivations in a Not-for-profit GLAM Context : the Australian Newspapers Digitisation Program.” ACIS 2012 : Location, Location, Location : Proceedings of the 23rd Australasian Conference on Information Systems 2012 (November 8): 1–11.</li>
<li>Clary, E. Gil, Mark Snyder, Robert D Ridge, John Copeland, Arthur A Stukas, Julie Haugen, and Peter Miene. 1998. “Understanding and Assessing the Motivations of Volunteers: a Functional Approach.” Journal of Personality and Social Psychology 74 (6) (June): 1516–30.</li>
<li>Dunn, Stuart, and Mark Hedges. 2012. <a href="http://www.humanitiescrowds.org/">Crowd-Sourcing Scoping Study: Engaging the Crowd with Humanities Research</a>. London.</li>
<li><a href="http://www.dlib.org/dlib/march10/holley/03holley.html">Holley, Rose. 2010. ‘Crowdsourcing: How and Why Should Libraries Do It?’ D-Lib Magazine</a>.</li>
<li><a href="http://www.wired.com/wired/archive/14.06/crowds_pr.html">Howe, Jeff. 2006, &#8216;The Rise of Crowdsourcing&#8217;, Wired</a>.</li>
<li>Oomen, Johan, and Lora Aroyo. 2011. “Crowdsourcing in the Cultural Heritage Domain: Opportunities and Challenges.” In 5th International Conference on Communities and Technologies, Queensland University of Technology, Brisbane, Australia. Vol. 29.</li>
<li>Ridge, Mia. 2011. <a href="http://conference.archimuse.com/mw2011/papers/playing_with_difficult_objects_game_designs_to">Playing with Difficult Objects – Game Designs to Improve Museum Collections</a>. In J. Trant and D. Bearman (eds). <em>Museums and the Web 2011: Proceedings</em>. Toronto: Archives &amp; Museum Informatics.</li>
<li>Ridge, Mia. 2012. <a href="http://openobjects.blogspot.co.uk/2012/06/frequently-asked-questions-about.html">Frequently Asked Questions about crowdsourcing in cultural heritage</a>, <em>Open Objects</em></li>
<li>Shirky, Clay. (2011). Cognitive surplus: creativity and generosity in a connected age. London, Penguin.</li>
<li><a href="http://discovery.ucl.ac.uk/171071/">Terras, M (2009) Digital Curiosities: Resource Creation Via Amateur Digitisation. Literary and Linguistic Computing , 25 (4) 425 &#8211; 438. 10.1093/llc/fqq019</a>.</li>
<li>Trant, J. (2009) Tagging, Folksonomy and Art Museums: Results of steve.museum’s Research. In: Archives &amp; Museum Informatics: 2009. <a href="http://conference.archimuse.com/files/trantSteveResearchReport2008.pdf">
<p>http://conference.archimuse.com/files/trantSteveResearchReport2008.pdf</a></li>
</ul>
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		<title>Resources for &#8216;Data Visualisation for Analysis in Scholarly Research&#8217;</title>
		<link>http://www.miaridge.com/resources-for-data-visualisation-for-analysis-in-scholarly-research/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=resources-for-data-visualisation-for-analysis-in-scholarly-research</link>
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		<pubDate>Sun, 20 Jan 2013 12:35:01 +0000</pubDate>
		<dc:creator>mia</dc:creator>
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		<description><![CDATA[A collection of links for further reading for the British Library&#8217;s Digital Scholarship course on &#8216;Data Visualisation for Analysis in Scholarly Research&#8217;. I update this each time I teach the course, so please leave a comment if you know of &#8230; <a href="http://www.miaridge.com/resources-for-data-visualisation-for-analysis-in-scholarly-research/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<div id="attachment_677" class="wp-caption alignright" style="width: 151px"><a href="http://www.thenewatlantis.com/publications/history-as-wall-art"><img class=" wp-image-677  " alt="Woodcut of the statue described by the prophet Daniel, from Lorenz Faust’s Anatomia statuae Danielis (“An anatomy of Daniel’s statue”), 1585." src="http://www.miaridge.com/wp-content/uploads/2013/01/20110127_TNA29Jacobsstatuelg-202x300.jpg" width="141" height="210" /></a><p class="wp-caption-text">Woodcut, An anatomy of Daniel’s statue, 1585.</p></div>
<p>A collection of links for further reading for the <a href="https://digitalscholarship.jux.com/668322#">British Library&#8217;s Digital Scholarship</a> course on &#8216;Data Visualisation for Analysis in Scholarly Research&#8217;. I update this each time I teach the course, so please leave a comment if you know of any great sources I&#8217;ve missed. Slides and exercises for each version of the workshop are below. Many thanks to workshop participants for their feedback, as it directly helps make the next version more effective. And of course huge thanks to Nora McGregor and the British Library&#8217;s Digital Scholarship team!</p>
<p>Last updated 4 May 2013. Image: Woodcut of the statue described by the prophet Daniel, from Lorenz Faust’s Anatomia statuae Danielis (“An anatomy of Daniel’s statue”), 1585. In Alan Jacobs, <a href="http://www.thenewatlantis.com/publications/history-as-wall-art">History as wall art</a>.</p>
<h2>Sources cited and references to find out more</h2>
<h3>Histories of data visualisation</h3>
<ul>
<li><a href="http://datavis.ca/milestones/">Milestones in the history of data visualisation</a></li>
<li><a href="http://www.cabinetmagazine.org/issues/13/timelines.php">CABINET // A Timeline of Timelines</a></li>
<li>Brody, Howard, Michael Russell Rip, Peter Vinten-Johansen, Nigel Paneth, and Stephen Rachman. 2000. <a href="http://www.ncbi.nlm.nih.gov/pubmed/10892779">Map-making and myth-making in Broad Street: the London cholera epidemic, 1854</a>. <i>The Lancet</i> 356, no. 9223: 64-68.</li>
<li><a title="The Changing Goals of Data Visualization" href="http://eagereyes.org/criticism/changing-goals-data-visualization">The Changing Goals of Data Visualization</a></li>
<li><a href="http://hci.stanford.edu/jheer/files/zoo/ex/maps/napoleon.html">Flow Map of Napoleon&#8217;s March on Moscow</a></li>
</ul>
<h3>Definitions of data visualisation</h3>
<ul>
<li>Few, Stephen. 2013. ‘<a href="http://www.interaction-design.org/encyclopedia/data_visualization_for_human_perception.html">Data Visualization for Human Perception</a>’. Ed. Mads Soegaard and Rikke Friis Dam. The Encyclopedia of Human-Computer Interaction, 2nd Ed. Aarhus, Denmark: The Interaction Design Foundation.</li>
<li><a href="http://www.slideshare.net/visualisingdata/andy-kirks-facebook-talk">Visualisation Workflow: Finding Stories and Telling Stories</a> by Andy Kirk (also check out his blog, <a href="http://www.visualisingdata.com/">Visualising Data</a>)</li>
<li><a title="A Tale of Two Types of Visualization and Much Confusion" href="http://eagereyes.org/criticism/tale-of-two-types">A Tale of Two Types of Visualization and Much Confusion</a></li>
<li><a href="http://www.visualcomplexity.com/vc/blog/?p=644">Information Visualization Manifesto</a>, Manuel Lima</li>
</ul>
<h3>Types of visualisations</h3>
<ul>
<li><a href="https://queue.acm.org/detail.cfm?id=1805128">A Tour through the Visualization Zoo: A survey of powerful visualization techniques, from the obvious to the obscure</a>, Jeffrey Heer, Michael Bostock, Vadim Ogievetsky</li>
<li><a href="http://www.computerworld.com/s/article/9214755/Chart_and_image_gallery_30_free_tools_for_data_visualization_and_analysis">Chart and image gallery: 30+ free tools for data visualization and analysis</a> provides a useful overview chart that can be sorted by skill level, platform, etc, with related reviews and screenshots. See also <a href="http://www.visual-literacy.org/periodic_table/periodic_table.html">A Periodic Table of Visualization Methods</a>, Brian Suda&#8217;s <a href="http://www.netmagazine.com/features/top-20-data-visualisation-tools">Top 20 data visualisation tools</a>, or idea.org&#8217;s <a href="http://www.idea.org/blog/2012/10/25/great-tools-for-data-visualization/">Great tools for data visualization.</a></li>
<li><a href="http://selection.datavisualization.ch/">Selected tools for visualisations,</a> a curated selection from datavisualization.ch &#8211; recommended</li>
<li><a href="http://vis.stanford.edu/papers/narrative">Narrative Visualization: Telling Stories with Data</a>, Edward Segel, Jeffrey Heer</li>
<li>Timelines: <a href="http://www.emoto2012.org/">the London 2012 Olympic Games on Twitter</a>, emoto (also an example of visualising sentiment analysis, where computational techniques are used to detect subjective emotions)</li>
<li>Timelines: <a href="http://wellcomelibrary.org/using-the-library/subject-guides/genetics/makers-of-modern-genetics/genetics-timeline/">Wellcome Library History of Genetics timeline</a></li>
<li>N-grams: <a href="http://books.google.com/ngrams/info">Google Ngram viewer</a></li>
<li>N-grams: <a href="http://bookworm.culturomics.org/">bookworm Open Library</a></li>
<li><a href="http://ihrprojects.wordpress.com/2013/01/25/text-mining-for-historians/">Text mining for Historians</a></li>
<li>Topic mining: <a href="http://discontents.com.au/mining-for-meanings/">Mining for meanings</a>, Tim Sherratt</li>
<li>Topic mining: <a href="http://dsl.richmond.edu/dispatch/pages/home">Mining the Dispatch</a>, Robert K. Nelson</li>
<li>Topic mining: <a href="http://code.google.com/p/topic-modeling-tool/">Topic Modeling Tool</a></li>
<li>Network visualisations: <a href="http://hci.stanford.edu/jheer/files/zoo/ex/networks/force.html">Les Misérables character interaction presented as a force directed graph.</a></li>
<li>Network visualisations: <a href="http://chnm2012.thatcamp.org/06/26/o-rocks-tell-it-to-us-in-plain-images-a-thatcampbloomsday-visualization/">O rocks! Tell it to us in plain images (A THATCamp/Bloomsday Visualization)</a></li>
<li>Infographics: <a title="The Fascinating World of (Good) Infographics" href="http://eagereyes.org/criticism/fascinating-world-of-good-infographics">The Fascinating World of (Good) Infographics</a> (and some infographics on bad infographics)</li>
<li>Infographics: <a href="http://www.theatlantic.com/business/archive/2011/12/ending-the-infographic-plague/250474/">Ending the Infographic Plague</a>, Megan McArdle</li>
<li>Infographics: <a href="http://blogs.hbr.org/cs/2013/03/weve_reached_peak_infographic_and_were.html">We&#8217;ve Reached Peak Infographic, and We&#8217;re No Smarter for It</a>, Dylan C. Lathrop</li>
<li>Visualising media: <a href="http://lab.softwarestudies.com/2010/11/one-million-manga-pages.html">One million manga pages</a>, Lev Manovich and <a href="http://softwarestudies.com/cultural_analytics/2011.How_To_Compare_One_Million_Images.pdf">&#8220;How to Compare One Million Images?&#8221;</a> In David Berry, ed., Understanding Digital Humanities (Palgrave, 2012).</li>
</ul>
<h3>Planning and designing good data visualisations</h3>
<ul>
<li><a href="http://www.verstaresearch.com/newsletters/how-to-design-an-excellent-chart.html#how-to-design-an-excellent-chart">How to Design an Excellent Chart</a> is focused on charts for telling stories (rather than exploring to find new ones) and includes Andrew Abela&#8217;s <a href="http://www.verstaresearch.com/types-of-charts.jpg">&#8216;chart chooser&#8217; diagram</a> for showing distribution, composition, relationship or comparison data. See also Juice Lab&#8217;s interactive <a href="http://labs.juiceanalytics.com/chartchooser/index.html">Chart Chooser</a>.</li>
<li><a href="http://www.stats.gla.ac.uk/steps/glossary/presenting_data.html">Statistics glossary on Presenting data</a> (for a refresher on ordinal, nominal, interval etc data)</li>
<li><a href="http://blogs.forbes.com/naomirobbins/">Effective Graphs</a> blog by Naomi Robbins (including some great &#8216;<a href="http://www.forbes.com/sites/naomirobbins/2013/02/04/misleading-newspaper-graph/">what not to do</a>&#8216; examples)</li>
<li><a href="http://www.perceptualedge.com/articles/ie/the_right_graph.pdf">Eenie, Meenie, Minie, Moe: Selecting the Right Graph for Your Message (PDF)</a>, Stephen Few</li>
<li><a href="http://understandinggraphics.com/visualizations/information-display-tips/">Information Display Tips</a>, Connie Malamed (useful on &#8216;visually distinct objects&#8217;)</li>
<li><a href="http://understandinggraphics.com/design/how-to-avoid-split-attention/">How to Avoid Designs that Split Attention</a>, Connie Malamed</li>
<li><a href="http://www.visualcomplexity.com/vc/blog/?p=1076">Information Visualization Framework</a>, Manuel Lima</li>
<li><a href="http://blog.kaggle.com/2012/10/15/make-for-data-scientists/">Make for Data Scientists</a> and <a href="http://blog.factual.com/introducing-drake-a-kind-of-make-for-data">Introducing Drake, a kind of ‘make for data’</a> (getting a bit techie but useful for thinking about ways to manage different versions of your datasets as you clean and refine)</li>
</ul>
<h3>Data visualisation for scholarly research</h3>
<p>See also the projects listed in the Exercises section below.</p>
<ul>
<li><a href="http://journalofdigitalhumanities.org/1-3/modeling-networks-and-scholarship-with-orbis-by-elijah-meeks-and-karl-grossner/">Modeling Networks and Scholarship with ORBIS</a>, Elijah Meeks and Karl Grossner, Journal of Digital Humanities</li>
<li><a href="http://sappingattention.blogspot.co.uk/2012/11/reading-digital-sources-case-study-in.html">Reading digital sources: a case study in ship&#8217;s logs</a> or <a href="http://sappingattention.blogspot.co.uk/2013/01/keeping-words-in-topic-models.html">Keeping the words in Topic Models</a>, Ben Schmidt (and his blog <a href="http://sappingattention.blogspot.co.uk/">Sapping Attention</a> on text mining and the digital humanities generally)</li>
<li>The <a href="http://sixdegreesoffrancisbacon.com/">Six Degrees of Francis Bacon</a> project is blogging entertainingly about &#8216;reassembling the early modern social network&#8217;</li>
<li><a href="http://hastac.org/forums/visualization-across-disciplines">HASTAC forum, Visualization Across Disciplines</a></li>
</ul>
<h3>Critiquing visualisations</h3>
<ul>
<li>On &#8216;big data&#8217; as the next big trend: video from <a title="Strata 2013: Kate Crawford, &quot;Algorithmic Illusions: Hidden Biases of Big Data&quot;" href="https://www.youtube.com/watch?v=irP5RCdpilc&amp;list=SP055Epbe6d5ZEYjq8K7CA37-1fEST-yWe&amp;index=13" data-sessionlink="ei=SHI3UeL3N6qnhgGK8ICwDg&amp;feature=plpp_video">Strata 2013: Kate Crawford, &#8220;Algorithmic Illusions: Hidden Biases of Big Data&#8221;</a> , or written interview with Crawford at <a href="http://radar.oreilly.com/2013/03/untangling-algorithmic-illusions-from-reality-in-big-data.html">Untangling algorithmic illusions from reality in big data.</a></li>
<li>In <a title="Liveblogged Review of Macroanalysis by Matthew L. Jockers, Part 2" href="http://www.scottbot.net/HIAL/?p=34775" rel="bookmark">Liveblogged Review of Macroanalysis by Matthew L. Jockers, Part 2</a> Scott B. Weingart discusses choices and standards for visual representations of humanities data</li>
<li><a href="http://vialab.science.uoit.ca/portfolio/lattice-uncertainty-visualization-understanding-machine-translation-and-speech-recognition">Lattice Uncertainty Visualization: Understanding Machine Translation and Speech Recognition</a>, Christopher Collins, Gerald Penn, Sheelagh Carpendale</li>
<li><a title="Workshop: Data visualisation as a gateway to programming" href="http://blogs.lse.ac.uk/impactofsocialsciences/2013/04/05/the-question-all-smart-visualizations-should-ask/">Data visualizations should be as much about facilitating interaction as conveying information</a>, Michael Schrage</li>
<li><a href="http://labs.cooperhewitt.org/2012/exploring-shape-collections-draft/">Mia Ridge explores the shape of Cooper-Hewitt collections</a>, me on &#8217;messiness&#8217; and humanities data in visualisations on the Cooper-Hewitt Museum Labs blog</li>
</ul>
<h3>General references</h3>
<ul>
<li><a href="http://visualizeit.wordpress.com/2010/07/01/data-visualization-talks-online/">Data Visualization Talks Online</a>, 2010 post from Alark Joshi listing various videos</li>
<li><a href="http://flowingdata.com/2012/04/27/data-and-visualization-blogs-worth-following/">Data and visualization blogs worth following</a> (early 2012 post by Nathan Yau)</li>
<li>Few, Stephen. 2009. <i>Now I See It: Simple Visualization Techniques for Quantitative Analysis</i>. Analytics Press.</li>
<li>Lima, Manuel. 2011. <i>Visual complexity: mapping patterns of information</i>. New York: Princeton Architectural Press.</li>
<li>Moretti, Franco. 2005. <i>Graphs, maps, trees: abstract models for a literary history</i>. London: Verso.</li>
<li>Rosenberg, Daniel, and Grafton, Anthony. 2010. <em>Cartographies of Time: A History of the Timeline</em>. Princeton Architectural Press</li>
<li>Tufte, Edward R. 1983. <i>The Visual Display of Quantitative Information</i>. Graphics Press.</li>
<li>Tufte, Edward R. 2007. <i>Beautiful evidence</i>. Cheshire, Conn: Graphics press.</li>
<li>Ware, Colin. 2008. <i>Visual Thinking for Design</i>. Morgan Kaufmann.</li>
<li>Yau, Nathan. 2011. <i>Visualize this: the FlowingData guide to design, visualization, and statistics</i>. Indianapolis, Ind: Wiley Pub.</li>
</ul>
<h2>Links for exercises</h2>
<p>January 2013 versions: <a href="http://www.dropbox.com/s/75epw3cx421t42t/Data Visualisation for Analysis in Scholarly Research_threeslides.pdf">Data Visualisation for Analysis in Scholarly Research slides</a> and <a href="http://www.dropbox.com/s/pg3oxn3rpcodsip/Datasets_to_use_in_class.zip">Datasets for playing</a></p>
<p>April 2013: <a href="http://www.miaridge.com/wp-content/uploads/2013/01/Exercises-for-Data-Visualisation-for-Analysis-in-Scholarly-Research.pdf">Exercises for Data Visualisation for Analysis in Scholarly Research</a> (PDF), <a href="http://www.miaridge.com/wp-content/uploads/2013/01/Data-Visualisation-for-Analysis-in-Scholarly-Research_April2013_slideshandout.pdf">Data Visualisation for Analysis in Scholarly Research_April2013_slideshandout </a>(PDF), <a href="http://www.miaridge.com/wp-content/uploads/2013/01/Inspiring-Women-through-History_April2013.xlsx">Inspiring Women through History_April2013</a> (Excel dataset).</p>
<p><a href="http://www.digitalhistories.org.uk/neatline-exhibits/show/about-mia">My bio</a> as a sample timeline and map in Neatline</p>
<h3>Scholarly visualisations to explore and discuss</h3>
<ul>
<li><a href="http://www.americanpast.org/emancipation/">Visualizing Emancipation</a></li>
<li><a href="http://www.stanford.edu/group/toolingup/rplviz/">Mapping the Republic of Letters</a></li>
<li><a href="http://www.locatinglondon.org">Locating London&#8217;s Past</a></li>
<li><a href="http://gap.alexandriaarchive.org/gapvis/index.html">GapVis Ancient Places</a></li>
<li><a href="http://www.acl.arts.usyd.edu.au/harlem/">Digital Harlem</a></li>
<li><a href="http://dp.la/">Digital Public Library of America (DPLA)</a></li>
</ul>
<h3>Trying entity recognition and data enhancement</h3>
<p>I&#8217;ve suggested a few tools as they each have different strengths and weaknesses. If you don&#8217;t have any of your own text to hand, try a paragraph or two of text from a news website.</p>
<ul>
<li><a href="http://nlp.stanford.edu:8080/corenlp/process">Stanford Natural Language Processing Group tool</a>, &#8216;An integrated suite of natural language processing tools for English in Java, including tokenization, part-of-speech tagging, named entity recognition, parsing, and coreference&#8217;.</li>
<li><a href="http://voyeurtools.org/">Voyant Tools</a>, their <a href="http://hermeneuti.ca/voyeur/intro">principles</a> and <a href="http://hermeneuti.ca/voyeur/users">user guide</a></li>
<li>You can also try the <a href="http://freeyourmetadata.org/named-entity-extraction/">entity recognition extension for Refine from freeyourmetadata.com</a></li>
</ul>
<h3>Cleaning data as preparation for visualisation</h3>
<ul>
<li>Download <a href="http://openrefine.org/">OpenRefine</a> (was Google Refine) website</li>
<li><a href="http://freeyourmetadata.org/cleanup/">Free Your Metadata&#8217;s example of Cleaning metadata in Refine</a></li>
<li><a href="http://acrl.ala.org/techconnect/?p=3276">A Librarian’s Guide to OpenRefine</a></li>
<li><a href="http://blog.ouseful.info/2013/05/03/a-wrangling-example-with-openrefine-making-ready-data/">A Wrangling Example With OpenRefine: Making “Oven Ready Data”</a></li>
<li>Data cleaning with <a href="http://vis.stanford.edu/wrangler/">DataWrangler</a></li>
</ul>
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		<title>ACH Election Results Announced</title>
		<link>http://www.miaridge.com/ach-election-results-announced/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ach-election-results-announced</link>
		<comments>http://www.miaridge.com/ach-election-results-announced/#comments</comments>
		<pubDate>Mon, 10 Dec 2012 10:00:02 +0000</pubDate>
		<dc:creator>mia</dc:creator>
				<category><![CDATA[digital humanities]]></category>

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		<description><![CDATA[I am proud to share that I was elected to serve on the Executive Council of the Association for Computers and the Humanities (ACH) for the 2013-2016 term, alongside Brian Croxall, Jennifer Guiliano, and Ernesto Priego (2013).]]></description>
				<content:encoded><![CDATA[<p>I am proud to share that I was <a href="http://ach.org/ach-election-results-announced">elected to serve on the Executive Council of the Association for Computers and the Humanities (ACH)</a> for the 2013-2016 term, alongside Brian Croxall, Jennifer Guiliano, and Ernesto Priego (2013).</p>
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